Movie Highlights of 1959

My favorite movies I saw this month:

Sleeping Beauty

Black Orpheus

Suddenly Last Summer

Ben Hur

Anatomy of a Murder

Compulsion

Our Man in Havana

Pillow Talk

The Mouse That Roared

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Movie Highlights of 1949

9 Great movies from 1949:

The Heiress

The Third Man

Kind Hearts and Coronets

On The Town

All The Kings Men

White Heat

The Set-Up

Thieves' Highway

Pinky

Radio Highlights of 1939

I discovered that The Internet Archive has lots of Old Time Radio programs that are in public domain. Here are some of the highlights I found from 1939:

The Aldrich Family

A sitcom.



Arch Obler's Plays

A Twilight-Zone-like anthology drama specializing in horror and other unusual stories.



Captain Midnight

Captain Midnight was an adventure serial intended for kids. This is the first 15 minute installment of a story arc called "The Perada Treasure". You can listen to the other 58 installments at the Internet Archive.



Complete Broadcast Day

Radio station WJSV in Washington, D.C. recorded it's complete broadcast day on September 21, 1939. The Internet Archive has all 16 hours. Here's a few highlights:



Chapter 1 - President Roosevelt's address to Congress
Chapter 2 - Major League Baseball: Cleveland Indians at the Washington Senators
Chapter 3 - "Ask It Basket" quiz show
Chapter 4 - Ten O'Clock News
Chapter 5 - Louis Prima

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1929 on Canvas

I intended to review Un Chien Andalou by Luis Buñuel and Salvador Dalí, but I got distracted and started looking at paintings from 1929 instead.

Here are some of my favorites:

The Treachery of Images by René Magritte

Girl on a Hill by Prudence Heward

Chop Suey by Edward Hopper

Two of the movies I watched from 1929 (Applause and Broadway Melody) involved young women trying to make a living in show business in New York. In both movies, they make a reference to going out for some chop suey. This stuck out to me because although I've heard of the dish, I don't think I've ever tasted it. I've eaten Chinese food plenty of times, but I can't recall if chop suey was ever even on the menu.

The Musician by Tamara de Lempicka

This one is my favorite. It looks like the cover of an Ayn Rand novel.

Lugubrious Game by Salvador Dalí

"I'll send flowers" - Al Capone

It's not movie-related, but today is the 80th anniversary of the Valentine's Day Massacre, the infamous gangland killing in Chicago. The most common theory is that it was masterminded by Al Capone, but I think it was just manufactured by Hallmark to sell flowers for funerals.

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Movie Highlights of 1919

Best Movie:

South

Ernest Shackleton's ill-fated 1914-1916 expedition to the South Pole is a remarkable story that's been recently recounted in a feature length documentary, presented as an IMAX feature, and re-enacted for a television mini-series. But photographer Frank Hurley was on board, and his amazing first hand footage has the immediacy not found in the recollections of the crew's grandchildren 80 years later; his stark images capture the sense of desperate isolation better than those projected on a five story screen; and his authentic depiction of the challenges faced by these men provides more drama than even Kenneth Branagh. No human lives were lost during the ordeal on the Endurance, but little else survived. Incredibly, this film did.

Most Pleasant Surprise:

The Doll

The gimmick is established in the opening scene: we see a miniature set with a dollhouse on a grassy hill with a painted walk to the front door. We see full-sized arms dressing the set with miniature cardboard cutout trees and two dressed-up dolls. The arms place the dolls in the dollhouse, and then we cut to the identical full-sized set and two actors walk out of the house dressed in the exact same costumes as the original dolls.

The audience has been told what to expect; we are watching puppet theater. Characters are excused from behaving believably, and there's a different set of physics controlling this world. The fun set design carries the film a long way on it's own, but director Ernst Lubitsch injects some satire into the fairy tale.

Most Underrated:

Victory

Axel Heyst lives alone on an island, but he breaks his solitude when, out of pity, he agrees to harbor a young woman from her abusive domestic situation. She's frustrated by his lack of passion. "I have never loved a woman or killed a man" he tells her, and adds "I hope I never shall". But naturally, circumstances conspire to make sure he does both by the end of the movie.

"To Love, to slay - the greatest enterprises in life" says a title card early in this film. And the film delivers on the sex and violence it promised; the sex scenes are surprisingly frank, and the fight scenes are shockingly brutal. The film is the first adaptation of a Joseph Conrad novel (the only one Conrad himself would ever see), and it shows the same dark estimation of human nature that he would explore further in Heart of Darkness.

Most Overrated:

Broken Blossoms

The only film from 1919 deemed significant enough to be inducted into the National Film Registry is this melodrama from D.W. Griffith. It's a typical Griffith downer: the helpless heroine is pitiful and downtrodden; the villain is an irredeemable brute; the hero is stoic and principled; and there's a good chance that most or all will meet a tragic end.


Most Disappointing:

Different From the Others

I was excited to see what was probably the first movie to feature a gay lead character. Naturally, cultural attitudes towards gays have evolved a lot in the last 90 years, so I didn't expect to relate much to even a sympathetic portrayal. That wasn't the problem, the film was unexpectedly progressive, but the film only survives in fragments, and the version that's available has been patched together with stills and long expository title cards to fill in the gaps.

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D. W. Griffith on Race

In 1909, D.W. Griffith made Red Man's View, a sympathetic portrayal of Native Americans which was, at the time, atypical. In 1919, he made Broken Blossoms, an interracial love story, which was daring considering interracial marriage was illegal at the time. In between these racially progressive films, he made Birth of a Nation, a glorification of the KKK and a defense of their intimidation tactics.

These examples suggest that Griffith's racial attitudes are nuanced or complicated, but in fact, they are deceptively simple; Griffith has an intellectually lazy algebra that equates certain virtues with the race that epitomizes it. In both Red Man's View and Broken Blossoms the white characters are violent brutes who can stand to learn the values of kindness, honor, and humility from the other noble non-white characters. In Birth of a Nation, the black characters are uncivilized imbeciles that are better off deferring to their intellectually superior countrymen and not being tricked into voting for the wily carpetbaggers that are only trying to exploit their gullibility.

If Griffith was simply suggesting that we'd all benefit from a healthy exchange of ideas informed by our cultural backgrounds, he'd be making a compelling argument. But this interpretation is undermined by how inauthentic the portrayals of non-white characters are; the Chinese character in Broken Blossoms is an opium addicted shopkeeper and the Native American characters in Red Man's View are also broadly drawn stereotypes that don't add any insight into their cultures beyond what mainstream white culture perceives it to be, which makes the argument that "we ought to learn from their example" self-serving.

The Dragon Painter was another film with Asian characters made the same year as Broken Blossoms. It was directed by and stars Sessue Hayakawa as the lead, and almost the entire cast was ethnically Japanese, whereas Griffith had white actors playing all the Chinese roles in his film. In his defense, this was a common practice at the time. Hayakawa, a frequent leading man, was an exception.